Selected Writings on Media, Propaganda, and Political Communication (eBook)

Artikelnummer: 978-0-231-55566-1
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Preface
Acknowledgments
General Introduction
Part I: Studies of Totalitarianism, Propaganda, and the Masses (1936-1940)
1. Exposé. Mass and Propaganda. An Inquiry Into Fascist Propaganda
2. Totalitarian Propaganda
3. Abridged Restricted Schema
4. Schemata
5. Disposition
Part II: The Caligari Complex (1943-1947)
6. The Conquest of Europe on the Screen: The Nazi Newsreel, 1939-40
7. The Hitler Image
8. Below the Surface: Project of a Test Film
Part III: Postwar Publics (1948-1950)
9. Re-education Program for the Reich
10. How and Why the Public Responds to the Propagandist
11. Popular Advertisements
12. A Duck Crosses Main Street
13. National Types as Hollywood Presents Them
14. Deluge of Pictures
Part IV: Cold War Tensions (1952-1958)
15. Appeals to the Near and Middle East: Implications of the Communications Studies Along the Soviet Periphery
16. Attitudes Toward Various Communist Types in Hungary, Poland, and Czechoslovakia
17. Proposal for a Research Project Designed to Promote the Use of Qualitative Analysis in the Social Sciences
18. The Challenge of Qualitative Content Analysis
19. On the Relation of Analysis to the Situational Factors in Case Studies
20. The Social Research Center on the Campus: Its Significance for the Social Sciences and Its Relations to the University and Society at Large
Appendix 1: T. W. Adorno, "Report on the Work 'Totalitarian Propaganda in Germany and Italy' by Siegfried Kracauer, 1-106"
Appendix 2: John Abromeit, "Siegfried Kracauer, and the Early Frankfurt School's Analysis of Fascism as Right-Wing Populism"
Bibliography
Sources
Index

Preface
Acknowledgments
General Introduction
Part I: Studies of Totalitarianism, Propaganda, and the Masses (1936-1940)
1. Exposé. Mass and Propaganda. An Inquiry Into Fascist Propaganda
2. Totalitarian Propaganda
3. Abridged Restricted Schema
4. Schemata
5. Disposition
Part II: The Caligari Complex (1943-1947)
6. The Conquest of Europe on the Screen: The Nazi Newsreel, 1939-40
7. The Hitler Image
8. Below the Surface: Project of a Test Film
Part III: Postwar Publics (1948-1950)
9. Re-education Program for the Reich
10. How and Why the Public Responds to the Propagandist
11. Popular Advertisements
12. A Duck Crosses Main Street
13. National Types as Hollywood Presents Them
14. Deluge of Pictures
Part IV: Cold War Tensions (1952-1958)
15. Appeals to the Near and Middle East: Implications of the Communications Studies Along the Soviet Periphery
16. Attitudes Toward Various Communist Types in Hungary, Poland, and Czechoslovakia
17. Proposal for a Research Project Designed to Promote the Use of Qualitative Analysis in the Social Sciences
18. The Challenge of Qualitative Content Analysis
19. On the Relation of Analysis to the Situational Factors in Case Studies
20. The Social Research Center on the Campus: Its Significance for the Social Sciences and Its Relations to the University and Society at Large
Appendix 1: T. W. Adorno, "Report on the Work 'Totalitarian Propaganda in Germany and Italy' by Siegfried Kracauer, 1-106"
Appendix 2: John Abromeit, "Siegfried Kracauer, and the Early Frankfurt School's Analysis of Fascism as Right-Wing Populism"
Bibliography
Sources
Index

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VerlagColumbia University Press
EinbandPDF
Erscheinungsjahr2022
Seitenangabe480 S.
AusgabekennzeichenEnglisch
PlattformPDF
ReiheNew Directions in Critical Theory
AutorKracauer, Siegfried / Abromeit, John (Hrsg.) / Kang, Jaeho (Hrsg.) / Gilloch, Graeme (Hrsg.)

Alle Bände der Reihe "New Directions in Critical Theory"

Über den Autor Siegfried Kracauer

Siegfried Kracauer (1889-1966) was born and raised in Frankfurt am Main. Perhaps best known for his pioneering studies in sociology and film theory, he initially trained as an engineer and architect, emerging in the Weimar years as a gifted journalist. When the Nazis came to power in early 1933, he was chief of the Berlin bureau of the left-leaning Frankfurter Zeitung. He fled, first to France and then, in 1941, to the United States, where he resolved to write only in English. His From Caligari to Hitler: A Psychological History of the German Film (1947) and his magnum opus, Theory of Film: The Redemption of Physical Reality (1960), were completed in New York, where he spent time working in the film library of the Museum of Modern Art and at Columbia University. Kracauer's novels-Ginster (1928) and Georg (1934, first published in 1963)-testify to his dramatic about-face from literary expressionism to the New Objectivity of the 1920s. Theodore Adorno, who spoke of Ginster as Kracauer's most notable achievement, paid tribute to his lifelong friend on his seventy-fifth birthday by claiming that as a young man he had already learned more about the study of philosophy from Siegfried Kracauer than he ever did from any of his academic teachers.Carl Skoggard is a writer and translator living in Valatie, New York. He has produced annotated English versions of works by Walter Benjamin, Thomas Bernhard, Robert Walser, and others. His most recently completed translation is Klaus Mann's The Volcano: A Novel Among Emigrants. Johannes von Moltke is the Rudolf Arnheim Collegiate Professor of German Studies and Film, Media & Television at the University of Michigan. He is the author of The Curious Humanist: Siegfried Kracauer in America and a coeditor of Last Letters: The Prison Correspondence, 1944-45 by Freya and Helmuth James von Moltke (published by New York Review Books).

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