Handel and Maurice Greene's Circle at the Apollo Academy (eBook)

The Music and Intellectual Contexts of Oratorios, Odes and Masques. E-BOOK
Artikelnummer: 978-3-86234-661-5
Einband: PDF
Verfügbarkeit: Download, sofort verfügbar (Link per E-Mail)
CHF 75.00
decrease increase

The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.

The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.

Schreiben Sie Ihre eigene Bewertung
  • Nur registrierte Benutzer können Produkte bewerten
*
*
Schlecht
Sehr gut
*
*
*
*
VerlagV&R unipress
EinbandPDF
Erscheinungsjahr2008
Seitenangabe362 S.
AusgabekennzeichenEnglisch
Auflage08001 A. 1. Auflage
PlattformPDF
ReiheAbhandlungen zur Musikgeschichte
AutorGardner, Matthew / Staehelin, Martin (Hrsg.) / Staehelin, Martin (Hrsg.)

Alle Bände der Reihe "Abhandlungen zur Musikgeschichte"

Über den Autor Matthew Gardner

Matthew Gardner grew up in East London, England, and studied French at the University of Bristol. Among many other jobs he has been a High School teacher, a Travel Guide writer, a Home Care Worker, and a mushroom picker. Since gaining his Master's degree in 2009 he has been a Registered Clinical Counsellor in private practice. As well as working in a homeless shelter, a halfway house for convicts on parole, a therapeutic community, and the Mental Health and Addictions department of VIHA, he has also led groups on addiction, parenting, interpersonal communication, anger, men's issues, and trauma. He lives in Victoria, BC, Canada with his wife, two children, a cat, and three chickens. www.matthewgardnercounselling.com

Weitere Titel von Matthew Gardner

Produktbewertungen
Nur registrierte Benutzer können Produkte bewerten