Uptown Conversation (eBook)

The New Jazz Studies
Artikelnummer: 978-0-231-50836-0
Einband: Adobe Digital Editions
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Introductory Notes, by Robert G. O'Meally, Brent Hayes Edwards, and Farah Jasmine Griffin Songs of the Unsung: The Darby Hicks History of Jazz, by George Lipsitz "All the Things You Could Be by Now": Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz, by Salim Washington Experimental Music in Black and White: The AACM in New York, 1970-1985, by George Lewis When Malindy Sings: A Meditation on Black Women's Vocality, by Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954-1960, by John Gennari Mainstreaming Monk: The Ellington Album, by Mark Tucker The Man, by John Szwed The Real Ambassadors, by Penny M. Von Eschen Artistic Othering in Black Diaspora Musics: Preliminary Thoughts on Time, Culture, and Politics, by Kevin Gaines Notes on Jazz in Senegal, by Timothy R. Mangin Revisiting Romare Bearden's Art of Improvisation, by Diedra Harris-Kelley Louis Armstrong, Bricolage, and the Aesthetics of Swing, by Jorge Daniel Veneciano Checking Our Balances: Louis Armstrong, Ralph Ellison, and Betty Boop, by Robert G. O'Meally Paris Blues: Ellington, Armstrong, and Saying It with Music, by Krin Gabbard "How You Sound??": Amiri Baraka Writes Free Jazz, by William J. Harris The Literary Ellington, by Brent Hayes Edwards "Always New and Centuries Old": Jazz, Poetry and Tradition as Creative Adaptation, by Travis Jackson A Space We're All Immigrants From: Othering and Communitas in Nathaniel Mackey's Bedouin Hornbook, by Herman Beavers Exploding the Narrative in Jazz Improvisation, by Vijay Iyer Beneath the Underground: Exploring New Currents in "Jazz", by Robin D. G. Kelley , by v

Introductory Notes, by Robert G. O'Meally, Brent Hayes Edwards, and Farah Jasmine Griffin Songs of the Unsung: The Darby Hicks History of Jazz, by George Lipsitz "All the Things You Could Be by Now": Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz, by Salim Washington Experimental Music in Black and White: The AACM in New York, 1970-1985, by George Lewis When Malindy Sings: A Meditation on Black Women's Vocality, by Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954-1960, by John Gennari Mainstreaming Monk: The Ellington Album, by Mark Tucker The Man, by John Szwed The Real Ambassadors, by Penny M. Von Eschen Artistic Othering in Black Diaspora Musics: Preliminary Thoughts on Time, Culture, and Politics, by Kevin Gaines Notes on Jazz in Senegal, by Timothy R. Mangin Revisiting Romare Bearden's Art of Improvisation, by Diedra Harris-Kelley Louis Armstrong, Bricolage, and the Aesthetics of Swing, by Jorge Daniel Veneciano Checking Our Balances: Louis Armstrong, Ralph Ellison, and Betty Boop, by Robert G. O'Meally Paris Blues: Ellington, Armstrong, and Saying It with Music, by Krin Gabbard "How You Sound??": Amiri Baraka Writes Free Jazz, by William J. Harris The Literary Ellington, by Brent Hayes Edwards "Always New and Centuries Old": Jazz, Poetry and Tradition as Creative Adaptation, by Travis Jackson A Space We're All Immigrants From: Othering and Communitas in Nathaniel Mackey's Bedouin Hornbook, by Herman Beavers Exploding the Narrative in Jazz Improvisation, by Vijay Iyer Beneath the Underground: Exploring New Currents in "Jazz", by Robin D. G. Kelley , by v

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VerlagColumbia University Press
EinbandAdobe Digital Editions
Erscheinungsjahr2004
Seitenangabe544 S.
AusgabekennzeichenEnglisch
Abbildungen22 halftones
PlattformEPUB
AutorO'Meally, Robert (Hrsg.) / Edwards, Brent Hayes (Hrsg.) / Griffin, Farah Jasmine (Hrsg.)

Über den Autor Robert (Hrsg.) O'Meally

Robert G. O'Meally is Zora Neale Hurston Professor of American Literature at Columbia University. He is the author of numerous books, including The Jazz Cadence of American Culture and Lady Day: The Many Faces of Billie Holiday.Brent Hayes Edwards is an associate professor of English at Rutgers University and the author of The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism.Farah Jasmine Griffin is a professor of English, comparative literature, and African American studies at Columbia University. She is the author of If You Can't Be Free, Be a Mystery: In Search of Billie Holiday.

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