The Semiotics of Performances

An Introduction to the Analysis, Interpretation, and Theory of the Performing Arts
Artikelnummer: 978-1-350-37265-8
Einband: Kartonierter Einband (Kt)
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"Drawing on semiotic developments of the past five decades, this book introduces students to the semiotic analysis of live performances and provides them with a clear method for untangling the multimodal complexity of performance from the spectator's point of view. It explores a broad range of performance types from across different cultures, including music, opera, ballet, theatre, circus, mime, improvisation, and immersion, and is accompanied by a companion website featuring recorded extracts from live performances"--

"Drawing on semiotic developments of the past five decades, this book introduces students to the semiotic analysis of live performances and provides them with a clear method for untangling the multimodal complexity of performance from the spectator's point of view. It explores a broad range of performance types from across different cultures, including music, opera, ballet, theatre, circus, mime, improvisation, and immersion, and is accompanied by a companion website featuring recorded extracts from live performances"--

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VerlagBloomsbury Academic
EinbandKartonierter Einband (Kt)
Erscheinungsjahr2025
Seitenangabe184 S.
AusgabekennzeichenEnglisch
AbbildungenPaperback; 16 bw illus
MasseH23.2 cm x B15.4 cm x D1.0 cm 287 g
CoverlagBloomsbury Academic (Imprint/Brand)
AutorBouissac, Paul

Über den Autor Paul Bouissac

Paul Bouissac is Professor Emeritus at Victoria College, University of Toronto, Canada. He is a world renowned figure in semiotics and a pioneer of circus studies. He runs the Semioticon, an Open Semiotics Resource Center, which has a global readership.

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