The History of Chinese Ceramics

Artikelnummer: 978-981-1990-96-0
Einband: Kartonierter Einband (Kt)
Verfügbarkeit: Folgt in ca. 10 Arbeitstagen
CHF 198.00
decrease increase

Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that ¿history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.¿ Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.

Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that ¿history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.¿ Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.

Schreiben Sie Ihre eigene Bewertung
  • Nur registrierte Benutzer können Produkte bewerten
*
*
Schlecht
Sehr gut
*
*
*
*
VerlagSpringer
EinbandKartonierter Einband (Kt)
Erscheinungsjahr2024
Seitenangabe1248 S.
AusgabekennzeichenEnglisch
MasseH23.5 cm x B15.5 cm x D6.3 cm 2'090 g
AutorFang, Lili / Ma, Lin (Übers.)

Über den Autor Lili Fang

Lili Fang is Professor at the Institute of Art Anthropology, China National Academy of Arts. Her recent works include Construction of Localization in the Theory of Anthropology of Art (2023), From Production Centre to Art District: The Hyper-modern Development Model of Jingdezhen (2024), The Millennium Evolution of Jingdezhen's Folk Kilns: Volume I (2025), The Formation and Development Toward a World Ceramic Center: Volume II (2025), The Construction and Transformation of Artisan Knowledge and Culture (2025) and Rethinking From the Soil (2025). Her book A History of Chinese Ceramics (2013) has been translated into English, Spanish and Russian.Translator:Jia XU is Professor of English at Beijing Institute of Technology. Her recent monographs include Shakespeare in China's Academic Journals: A Research on Shakespearean Criticism in the Field of Foreign Literature, Theatre and Film (1949-2019) (2022) and Childhood and Coming of Age in Shakespeare's Plays (2016). Her translated books (English to Chinese) include On Colour (2018) and DK the Shakespeare Book (2015).

Weitere Titel von Lili Fang

Produktbewertungen
Nur registrierte Benutzer können Produkte bewerten