The Formation of the Victorian Literary Profession

Artikelnummer: 978-1-107-03962-9
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Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.

Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.

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VerlagCambridge Academic
EinbandFester Einband
Erscheinungsjahr2013
Seitenangabe302 S.
AusgabekennzeichenEnglisch
Abbildungen7 b/w illus., Raster, nicht spezifiziert
MasseH22.9 cm x B15.2 cm x D1.7 cm 570 g
CoverlagCambridge University Press (Imprint/Brand)
ReiheCambridge Studies in Nineteenth-Century Literature and Culture
AutorSalmon, Richard

Alle Bände der Reihe "Cambridge Studies in Nineteenth-Century Literature and Culture"

Über den Autor Richard Salmon

Born in the small village of Irnham, where my parents kept the Post Office and village general store. Attended the village school and Grantham Boys Central School. Served apprenticeship in local garage. Conscripted into Royal Engineers in 1944, serving in South Iraq, demobilized in 1947. Took various jobs until vacancy at British Racing Motors, applied successfully and worked in the racing team for 17 years. Made redundant in 1967, took job at Lotus cars, redundant again after 3 years. Took job at Perkins diesel engines, due to wife ?s illness, left to take position in field service department at Fiat-Allis, a local factory producing earth moving equipment, unfortunately factory was eventually closed down by Fiat. Closure coincided with closure of BRM, and was recruited to rebuild BRM cars for sale by Christies at Earls Court in 1981. Subsequently went into partnership restoring historic cars until retirement.

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