The Ethics of Seeing

Photography and Twentieth-Century German History
Artikelnummer: 978-1-78920-518-3
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List of Illustrations
Acknowledgements

Introduction: Photography as an Ethics of Seeing
Jennifer Evans

Chapter 1. Thoughts on Photography and the Practice of History
Elizabeth Edwards

Chapter 2. Seeing the 'Savage' and the Suspension of Time: Photography, War and Concentration Camps in South West Africa, 1904-1908
Claudia Siebrecht

Chapter 3. The "Face of War" in Weimar Visual Culture
Annelie Ramsbrock

Chapter 4. Documenting Heimkehr: Photography, Displacement and "Homecoming" in the Nazi Resettlement of Ethnic Germans, 1939-1940
Elizabeth Harvey

Chapter 5. Visible Trophies of War: German Occupiers' Photographic Perceptions of France, 1940-44
Julia Torrie

Chapter 6. Gazing at Ruins: German Defeat as Visual Experience
Stefan-Ludwig Hoffmann

Chapter 7. Edmund Kesting's Polyphonic Portraits and the Abstract Face of the Socialist Self in East Germany
Sarah E. James

Chapter 8. Seeing Subjectivity: Erotic Photography and the Optics of Desire
Jennifer Evans

Chapter 9. Photographing Reurbanization in West Berlin, 1977-84
Anna Ross

Chapter 10. The Diversification of East Germany's Visual Culture
Candice M. Hamelin

Chapter 11. The Intimacy of Revolution: 1989 in Pictures
Paul Betts

Epilogue: Hope Flies, Death Dances: Moving Toward an Ethics of Seeing
Julia Adeney Thomas

Index

List of Illustrations
Acknowledgements

Introduction: Photography as an Ethics of Seeing
Jennifer Evans

Chapter 1. Thoughts on Photography and the Practice of History
Elizabeth Edwards

Chapter 2. Seeing the 'Savage' and the Suspension of Time: Photography, War and Concentration Camps in South West Africa, 1904-1908
Claudia Siebrecht

Chapter 3. The "Face of War" in Weimar Visual Culture
Annelie Ramsbrock

Chapter 4. Documenting Heimkehr: Photography, Displacement and "Homecoming" in the Nazi Resettlement of Ethnic Germans, 1939-1940
Elizabeth Harvey

Chapter 5. Visible Trophies of War: German Occupiers' Photographic Perceptions of France, 1940-44
Julia Torrie

Chapter 6. Gazing at Ruins: German Defeat as Visual Experience
Stefan-Ludwig Hoffmann

Chapter 7. Edmund Kesting's Polyphonic Portraits and the Abstract Face of the Socialist Self in East Germany
Sarah E. James

Chapter 8. Seeing Subjectivity: Erotic Photography and the Optics of Desire
Jennifer Evans

Chapter 9. Photographing Reurbanization in West Berlin, 1977-84
Anna Ross

Chapter 10. The Diversification of East Germany's Visual Culture
Candice M. Hamelin

Chapter 11. The Intimacy of Revolution: 1989 in Pictures
Paul Betts

Epilogue: Hope Flies, Death Dances: Moving Toward an Ethics of Seeing
Julia Adeney Thomas

Index

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VerlagIngram Publishers Services
EinbandKartonierter Einband (Kt)
Erscheinungsjahr2019
Seitenangabe306 S.
AusgabekennzeichenEnglisch
Abbildungen78 illustrations
MasseH22.9 cm x B15.2 cm
CoverlagBerghahn Books (Imprint/Brand)
ReiheStudies in German History
AutorEvans, Jennifer (Hrsg.) / Betts, Paul (Hrsg.) / Hoffmann, Stefan-Ludwig (Hrsg.)

Alle Bände der Reihe "Studies in German History"

Über den Autor Jennifer (Hrsg.) Evans

Jennifer Evans is Senior Lecturer in History at the University of Hertfordshire, UK. Her research focuses on the body, gender and medicine in the seventeenth century. She is currently working on a project exploring men's sexual health in the seventeenth century. Recent publications include Perceptions of Pregnancy from the Seventeenth to the Twentieth Century (Palgrave, 2017), co-edited with Ciara Meehan. Alun Withey is Wellcome Research Fellow in the Centre for the History of Medicine at the University of Exeter, UK. An historian of early modern medicine and the body, he is currently working on a major research project on the history of facial hair in Britain. Recent publications include Technology, Self-Fashioning and Politeness in Eighteenth-century Britain (Palgrave, 2015).

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