Shanzhai (eBook)

Deconstruction in Chinese
Artikelnummer: 978-0-262-34358-9
Einband: Adobe Digital Editions
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Tracing the thread of "decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original.

Shanzhai is a Chinese neologism that means "fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or "decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—"a kind a shanzhai Marxism,” Han writes.

Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such "pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction.

Tracing the thread of "decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original.

Shanzhai is a Chinese neologism that means "fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or "decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—"a kind a shanzhai Marxism,” Han writes.

Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such "pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction.

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VerlagMIT Press
EinbandAdobe Digital Editions
Erscheinungsjahr2017
Seitenangabe104 S.
AusgabekennzeichenEnglisch
Abbildungen25 COLOR ILLUS., 3 B&W ILLUS.
Masse5'190 KB
PlattformEPUB
ReiheUntimely Meditations
AutorHan, Byung-Chul / Hurd, Philippa (Übers.)

Alle Bände der Reihe "Untimely Meditations"

Über den Autor Byung-Chul Han

Byung-Chul Han studierte in Freiburg i. Br. und München Philosophie, Deutsche Literatur und Katholische Theologie. Er wurde 1994 promoviert und habilitierte sich 2000. Seither ist er Privatdozent am Philosophischen Seminar der Universität Basel. Er hat u. a. folgende Bücher veröffentlicht: Heideggers Herz. Zum Begriff der Stimmung bei Martin Heidegger (1996), Todesarten. Philosophische Untersuchungen zum Tod (1998), Martin Heidegger. Eine Einführung (1999), Tod und Alterität (2002), Philosophie des Zen-Buddhismus (2002), Hyperkulturalität. Kultur und Globalisierung (2005), Hegel und die Macht. Ein Versuch über die Freundlichkeit (2005).

Weitere Titel von Byung-Chul Han

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