Rome Open City (Roma Città Aperta) (eBook)

Artikelnummer: 978-1-83871-789-6
Einband: PDF
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Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.

Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.

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VerlagBloomsbury eBooks UK
EinbandPDF
Erscheinungsjahr2019
Seitenangabe80 S.
AusgabekennzeichenEnglisch
Abbildungenillustrated
Auflage19001 A. 1. Auflage
PlattformPDF
ReiheBFI Film Classics
AutorForgacs, David

Alle Bände der Reihe "BFI Film Classics"

Über den Autor David Forgacs

David Forgacs is Professor of Italian at University College London, UK. He formerly taught at Sussex, Cambridge and Royal Holloway, where he was Reader in Film Studies. He is co-editor of Roberto Rossellini: Magician of the Real (BFI, 2000).

Weitere Titel von David Forgacs

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