(Re)imagining African Independence (eBook)

Film, Visual Arts and the Fall of the Portuguese Empire
Artikelnummer: 978-1-78707-639-6
Einband: Adobe Digital Editions
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CONTENTS: Lúcia Nagib: Foreword - Maria do Carmo Piçarra/Teresa Castro: Colonial Reflections, Post-Colonial Refractions: Film and the Moving Image in the Portuguese (Post-)Colonial Situation - Maria do Carmo Piçarra: Ruy Duarte: A Cinema of the Word Aspiring to Imagine Angolanness - Raquel Schefer: Between the Visible and the Invisible: Mueda, Memória e Massacre (1982) by Ruy Guerra and the Cultural Forms of the Makonde Plateau - Ros Gray: Clear Lines on an Internationalist Map: Foreign Filmmakers in Angola at Independence - Robert Stock: The Many Returns to Wiriyamu: Audiovisual Testimony and the Negotiation of Colonial Violence - Afonso Ramos: «Rarely penetrated by camera or film»: NBC's Angola: Journey to a War (1961) - Rui Lopes: The US and Portuguese Colonialism as Imagined through Television Drama - Iolanda Vasile: African Independence and the Socialist Republic of Romania's Photographic Archive - José Manuel Costa: Colonial Collection of the Portuguese Film Archive: Shot, Reverse Shot, Off-Screen - Ana Balona de Oliveira: A Decolonizing Impulse: Artists in the Colonial and Post-Colonial Archive, Or the Boxes of Departing Settlers between Maputo, Luanda and Lisbon - Teresa Castro: In-Between Memory and History: Artists' Films and the Portuguese Colonial Archive - Daniel Barroca: Drawing and Undrawing my Genealogy - Filipa César: A Grin without Marker - Mónica de Miranda: Hotel Globo.

CONTENTS: Lúcia Nagib: Foreword - Maria do Carmo Piçarra/Teresa Castro: Colonial Reflections, Post-Colonial Refractions: Film and the Moving Image in the Portuguese (Post-)Colonial Situation - Maria do Carmo Piçarra: Ruy Duarte: A Cinema of the Word Aspiring to Imagine Angolanness - Raquel Schefer: Between the Visible and the Invisible: Mueda, Memória e Massacre (1982) by Ruy Guerra and the Cultural Forms of the Makonde Plateau - Ros Gray: Clear Lines on an Internationalist Map: Foreign Filmmakers in Angola at Independence - Robert Stock: The Many Returns to Wiriyamu: Audiovisual Testimony and the Negotiation of Colonial Violence - Afonso Ramos: «Rarely penetrated by camera or film»: NBC's Angola: Journey to a War (1961) - Rui Lopes: The US and Portuguese Colonialism as Imagined through Television Drama - Iolanda Vasile: African Independence and the Socialist Republic of Romania's Photographic Archive - José Manuel Costa: Colonial Collection of the Portuguese Film Archive: Shot, Reverse Shot, Off-Screen - Ana Balona de Oliveira: A Decolonizing Impulse: Artists in the Colonial and Post-Colonial Archive, Or the Boxes of Departing Settlers between Maputo, Luanda and Lisbon - Teresa Castro: In-Between Memory and History: Artists' Films and the Portuguese Colonial Archive - Daniel Barroca: Drawing and Undrawing my Genealogy - Filipa César: A Grin without Marker - Mónica de Miranda: Hotel Globo.

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VerlagPeter Lang Ltd, International Academic Publishers
EinbandAdobe Digital Editions
Erscheinungsjahr2017
Seitenangabe308 S.
AusgabekennzeichenEnglisch
Masse7'765 KB
Auflage17001 A. 1. Auflage
PlattformEPUB
ReiheReconfiguring Identities in the Portuguese-Speaking World
AutorPiçarra, Maria Do Carmo (Hrsg.) / Castro, Teresa (Hrsg.)

Alle Bände der Reihe "Reconfiguring Identities in the Portuguese-Speaking World"

Über den Autor Maria Do Carmo (Hrsg.) Piçarra

Maria do Carmo Piçarra is vice-coordinator of ICNOVA, an assistant professor at UAL, and a film curator. Her academic interests include (post)colonial filmic representations, film propaganda and censorship, women in decolonisation and militant uses of the image. Her book Easterly Wind: Luso-Orientalism(s) in the Dictatorship's Films is scheduled for publication in 2025.

Weitere Titel von Maria Do Carmo (Hrsg.) Piçarra

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