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Ottoman Empire and European Theatre V (eBook)

Gluck and the Turkish Subject in Ballet and Dance
Artikelnummer: 978-3-99012-075-0
Einband: PDF
Verfügbarkeit: Download, sofort verfügbar (Link per E-Mail)
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The book series "Ottomania" researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. The fifth volume of the sub-series Ottoman Empire and European Theatre focuses on The Turkish Subject in Ballet and Dance from the seventeenth century to the time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth and eighteenth centuries, and most influential choreographers had 'Turkish' ballets in their repertoire.

Taking as its departure point Ch. W. Gluck and Gasparo Angiolini (1741-1803), succesful composer and choreographer of ballets at the French theatre in Vienna, this publication discusses the topic from a historical perspective, presents new findings, and introduces the latest scholarly achievements of the research field.

Contributions by Emre Araci, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger

The book series "Ottomania" researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. The fifth volume of the sub-series Ottoman Empire and European Theatre focuses on The Turkish Subject in Ballet and Dance from the seventeenth century to the time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth and eighteenth centuries, and most influential choreographers had 'Turkish' ballets in their repertoire.

Taking as its departure point Ch. W. Gluck and Gasparo Angiolini (1741-1803), succesful composer and choreographer of ballets at the French theatre in Vienna, this publication discusses the topic from a historical perspective, presents new findings, and introduces the latest scholarly achievements of the research field.

Contributions by Emre Araci, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger

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VerlagHollitzer Wissenschaftsverlag
EinbandPDF
Erscheinungsjahr2019
Seitenangabe328 S.
AusgabekennzeichenEnglisch
Masse49'534 KB
PlattformPDF
ReiheOttomania
AutorHüttler, Michael (Hrsg.) / Weidinger, Hans Ernst (Hrsg.)

Alle Bände der Reihe "Ottomania"

Über den Autor Michael (Hrsg.) Hüttler

Michael Hüttler, Dr. phil., studied theatre, film and media studies as well as journalism and communication studies at Vienna University; he has been conducting research for the DON JUAN ARCHIV WIEN since 2001. From 2007 to 2010 he has been Director of DON JUAN ARCHIV WIEN and since 2011 he is Director of HOLLITZER Verlag. Hans Ernst Weidinger, Gewerke, Dr. phil., studied law, classical languages, archeology, theatre studies and art history at Vienna University, and dance, voice and piano in Vienna and Prague. Since the 1970s he has dedicated himself to the history of Don Juan materials from its origins until the end of the eighteenth century. He founded the DON JUAN ARCHIV WIEN in the anniversary year 1987. Both editors are conveners of the international symposia series "Ottoman Empire and European Theatre", which has been held regularly since 2008 in Istanbul and Vienna and whose proceedings are published in the book series "Ottomania".

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