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Music Performers' Lived Experiences (eBook)

Personal Perspectives: Volume Two
Artikelnummer: 978-1-040-87870-5
Einband: Adobe Digital Editions
Verfügbarkeit: Download, sofort verfügbar (Link per E-Mail)
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Introduction, 1 Affective Lightscapes: A Pianist's Perspective on Musical Form as Lived Experience in Performance, 2 Music Performance Anxiety: An Autistic Perspective, 3 "Dangerously Vibrant Matter": Queering Musical Persona(e) in Instrumental Music Performance, 4 What Is It Like to Be a Disabled Pianist?, 5 Of Beasts, Lovers, and Meringue Puddings: Living with Bach at the Organ, 6 "As If for the First Time, Every Time": Towards a Generative Theory of Musical Expression, 7 "Sounding like Myself": An Interdisciplinary Dialogue on Freedom in Western Classical Music Performance, 8 "Point of No Return": Agency, Tempo and Leadership in the Performance of Joseph Joachim's Hungarian Fantasy, 9 Engaging with the Audience as Myself: A Cellist's Experience with Classical Improvisation, 10 Performing in The Theatre of Home: Autoethnographic Perspectives on Performer Identities, 11 Schubert on a Slackline: From Listening to Performing, 12 Experiencing Performance: The Vicarious Performer-Listener

Introduction, 1 Affective Lightscapes: A Pianist's Perspective on Musical Form as Lived Experience in Performance, 2 Music Performance Anxiety: An Autistic Perspective, 3 "Dangerously Vibrant Matter": Queering Musical Persona(e) in Instrumental Music Performance, 4 What Is It Like to Be a Disabled Pianist?, 5 Of Beasts, Lovers, and Meringue Puddings: Living with Bach at the Organ, 6 "As If for the First Time, Every Time": Towards a Generative Theory of Musical Expression, 7 "Sounding like Myself": An Interdisciplinary Dialogue on Freedom in Western Classical Music Performance, 8 "Point of No Return": Agency, Tempo and Leadership in the Performance of Joseph Joachim's Hungarian Fantasy, 9 Engaging with the Audience as Myself: A Cellist's Experience with Classical Improvisation, 10 Performing in The Theatre of Home: Autoethnographic Perspectives on Performer Identities, 11 Schubert on a Slackline: From Listening to Performing, 12 Experiencing Performance: The Vicarious Performer-Listener

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VerlagTaylor & Francis Ebooks
EinbandAdobe Digital Editions
Erscheinungsjahr2026
Seitenangabe300 S.
AusgabekennzeichenEnglisch
Abbildungen31 schwarz-weiße und 10 farbige Abbildungen, 3 schwarz-weiße und 10 farbige Fotos, 28 schwarz-weiße Zeichnungen
Masse24'505 KB
Auflage26001 A. 1. Auflage
PlattformEPUB
AutorDogantan-Dack, Mine (Hrsg.)

Über den Autor Mine (Hrsg.) Dogantan-Dack

Mine Dogantan-Dack is a musicologist and concert pianist. Her edited books include Artistic Practice as Research in Music (2015), Music and Sonic Art (2018), Rethinking the Musical Instrument (2022) and The Chamber Musician in the Twenty-First Century (2022). She is the founder of the Marmara Piano Trio as well as the founder and artistic director of London-based chamber orchestras Ensemble Luce and Ensemble Vita Nova. She teaches music performance studies at the Faculty of Music, University of Cambridge.

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