Music Performers' Lived Experiences (eBook)

Theory, Method, Interpretation: Volume One
Artikelnummer: 978-1-040-37019-3
Einband: PDF
Verfügbarkeit: Download, sofort verfügbar (Link per E-Mail)
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List of Figures and Tables

List of Music Examples

Notes on Contributors

Acknowledgements

Introduction

Mine Dogantan-Dack

1 Living With and Imagining the Composer

Mary Hunter

2 The Wisdom of the Classical Music Performer

Mine Dogantan-Dack

3 Reconnecting with the Past, Feeling the Future and Enjoying the Present: Towards a Novel Pedagogy of Performing Abilities

László Stachó

4 The Joy of Sight-Reading

Eugene Montague

5 Performing Musical and Metaphysical Agency in Peteris Vasks' Gramata cellam

Rebecca Thumpston-Gallagher

6 Rachmaninoff Meets Stanislavski: An Allegorical Archive and the Topos of Breath

Pheaross Graham

7 But Whose Life, Really?: Singers' Experiences of Performing Robert Schumann's Frauenliebe und -leben op. 42

Natasha Loges

8 "I Was Trying to Get Down the Mountain with My Violin Strapped to My Back": Performance Anxiety Dreams of Classical Music Performers

Mine Dogantan-Dack and László Stachó

9 Cross-Genre Musicking in Individual and Collaborative Group Contexts: Lived Experience and Musical Identity

Ruth Herbert and Asha Parkinson

10 Intersubjectivity in Performance

Ian Cross and Neta Spiro

11 Mixed Methods for Researching Musicians' Lived Experience: The Philosophy and Science of Musical Absorption

Simon Høffding

12 Sensing Sound-Motion Objects in Music Performance

Rolf Inge Godøy

Index

List of Figures and Tables

List of Music Examples

Notes on Contributors

Acknowledgements

Introduction

Mine Dogantan-Dack

1 Living With and Imagining the Composer

Mary Hunter

2 The Wisdom of the Classical Music Performer

Mine Dogantan-Dack

3 Reconnecting with the Past, Feeling the Future and Enjoying the Present: Towards a Novel Pedagogy of Performing Abilities

László Stachó

4 The Joy of Sight-Reading

Eugene Montague

5 Performing Musical and Metaphysical Agency in Peteris Vasks' Gramata cellam

Rebecca Thumpston-Gallagher

6 Rachmaninoff Meets Stanislavski: An Allegorical Archive and the Topos of Breath

Pheaross Graham

7 But Whose Life, Really?: Singers' Experiences of Performing Robert Schumann's Frauenliebe und -leben op. 42

Natasha Loges

8 "I Was Trying to Get Down the Mountain with My Violin Strapped to My Back": Performance Anxiety Dreams of Classical Music Performers

Mine Dogantan-Dack and László Stachó

9 Cross-Genre Musicking in Individual and Collaborative Group Contexts: Lived Experience and Musical Identity

Ruth Herbert and Asha Parkinson

10 Intersubjectivity in Performance

Ian Cross and Neta Spiro

11 Mixed Methods for Researching Musicians' Lived Experience: The Philosophy and Science of Musical Absorption

Simon Høffding

12 Sensing Sound-Motion Objects in Music Performance

Rolf Inge Godøy

Index

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VerlagTaylor & Francis Ebooks
EinbandPDF
Erscheinungsjahr2025
Seitenangabe296 S.
AusgabekennzeichenEnglisch
Abbildungen16 schwarz-weiße und 6 farbige Abbildungen, 6 farbige Fotos, 16 schwarz-weiße Zeichnungen, 3 schwarz-weiße Tabellen
Masse17'268 KB
Auflage25001 A. 1. Auflage
PlattformPDF
AutorDogantan-Dack, Mine (Hrsg.)

Über den Autor Mine (Hrsg.) Dogantan-Dack

Mine Dogantan-Dack is a musicologist and concert pianist. Her edited books include Artistic Practice as Research in Music (2015), Music and Sonic Art (2018), Rethinking the Musical Instrument (2022) and The Chamber Musician in the Twenty-First Century (2022). She is the founder of the Marmara Piano Trio as well as the founder and artistic director of London-based chamber orchestras Ensemble Luce and Ensemble Vita Nova. She teaches music performance studies at the Faculty of Music, University of Cambridge.

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