Museums and Digital Culture

New Perspectives and Research
Artikelnummer: 978-3-319-97456-9
Einband: Fester Einband
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This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual.

Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants.

The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey!



EUDR exemption - product or manufacturing materials placed on the market prior to 31.12.2025.

This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual.

Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants.

The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey!



EUDR exemption - product or manufacturing materials placed on the market prior to 31.12.2025.
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VerlagSpringer EN
EinbandFester Einband
Erscheinungsjahr2019
Seitenangabe590 S.
AusgabekennzeichenEnglisch
AbbildungenXXVIII, 590 p. 194 illus., 181 illus. in color., schwarz-weiss Illustrationen, farbige Illustrationen
MasseH23.5 cm x B15.5 cm 1'371 g
CoverlagSpringer (Imprint/Brand)
ReiheSpringer Series on Cultural Computing
AutorGiannini, Tula (Hrsg.) / Bowen, Jonathan P. (Hrsg.)

Alle Bände der Reihe "Springer Series on Cultural Computing"

Über den Autor Tula (Hrsg.) Giannini

?Tula Giannini is a Professor in the School of Information at the Pratt Institute, New York, USA. She was formerly Dean of the School during 2014-2017. At Pratt, she has initiated and managed several successful collaborative digitization projects with leading New York City museums, libraries, and related cultural institutions, supported by the IMLS (Institute of Museum and Library Services) and other funding agencies. She has also established a Master of Science (MS) in Museums and Digital Culture. She has co-organized the EVA London Symposium, associated with the annual EVA London Conference on Electronic Visualisation and the Arts since 2016. She co-edited the 2019 book Museums and Digital Culture in the Springer Series on Cultural Computing. Professor Giannini has an interest in musicology and has contributed entries in The Grove Dictionary of Musical Instruments, published by Oxford University Press.Jonathan P. Bowen FBCS FRSA is an Emeritus Professor of Computing at London South Bank University in London, UK, an Adjunct Professor at Southwest University in Chongqing, China, and Chair of Museophile Limited, a UK consultancy company in the field of museums and IT. In 1994, he founded the Virtual Library museums pages (VLmp), part of the WWW Virtual Library, later adopted by the International Council of Museums (ICOM). He was invited to be the Honorary Chair of the first Museums and the Web conference in 1997 and was a regular contributor subsequently. More recently he has been co-chair of the annual EVA London Conference on Electronic Visualisation and the Arts. In 2013. he was a co-editor of Electronic Visualisation in Arts and Culture, published in the Springer Series on Cultural Computing. In 2017, he co-authored The Turing Guide, on the life and work of the computing pioneer Alan Turing, published by Oxford University Press and, in 2019, he co-edited Museums and Digital Culture, again in the Springer Series on Cultural Computing. Professor Bowen is a Life Fellow of the British Computer Society (BCS), a Life Fellow of the Royal Society of Arts (RSA), and an Emeritus Freeman of the Worshipful Company of Information Technologists (WCIT).

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