Moving Frames (eBook)

List of Illustrations
Acknowledgments

Introduction: Photographs as Rupture and Affect in German Film
Carrie Collenberg-González and Martin P. Sheehan

Chapter 1. Layers of Exposure: The Photographic Approach in Gerhart Lamprecht's Zille Film Slums of Berlin (1925)
Jason Doerre

Chapter 2. Objecting Objects: Photographs and Subjectivity in The Blue Angel (1930)
Martin P. Sheehan

Chapter 3. Before- and Afterlives: On the Stillness of Photographs at the Outset of Adenauer Cinema
John E. Davidson

Chapter 4. Filming After Walker Evans: Wim Wenders' "American Pictures" in Kings of the Road (1976)
Stefanie Harris

Chapter 5. The Transgression of Overpainting: Jürgen Böttcher's Radical Experiments with Intermediality in Transformations (1981)
Matthew Bauman

Chapter 6. The Promise of Agency: Photographs and Value in Tattoo (2002)
Cynthia Porter

Chapter 7. Curating the Image: Visual Intertextuality in The Baader Meinhof Complex (2008)
Reinhard Zachau

Chapter 8. Re-presenting German Heritage Films: Photographic Memory in Aimee & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya-Welcome to Germany (2011)
Carrie Collenberg-González

Chapter 9. Imaging the "Good Life": Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005)
Simone Pfleger

Chapter 10. Violence, Death, and Photographs: Capturing the (Un)Dead in Rammbock (2010)
Melissa Etzler

Chapter 11. Possible Archives: Encountering a Surveillance Photo in Karl Marx City (2016)
Anke Pinkert

Afterword: Toward a Camera Ludica: Agency and Photography in Videogame Ecologies
Curtis L. Maughan

Index