First Comes Love Power Couples, Celebrity Kinship and Cultural Politics

Artikelnummer: 978-1-62892-122-9
Einband: Kartonierter Einband (Kt)
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With the prominence of one-name couples (Brangelina, Kimye) and famous families (the Smiths, the Beckhams), it is becoming increasingly clear that celebrity is no longer an individual pursuit-if it ever was. Accordingly, First Comes Love explores celebrity kinship and the phenomenon of the power couple: those relationships where two stars come together and where their individual identities as celebrities become inseparable from their status as a famous twosome. Taken together, the chapters in this volume interrogate the ways these alliances are bound up in wider cultural debates about marriage, love, intimacy, family, parenthood, sexuality, and gender, in their particular historical contexts, from the 1920s to the present day. Interdisciplinary in scope, First Comes Love seeks to establish how celebrity relationships play particular roles in dramatizing, disrupting, and reconciling often-contradictory ideas about coupledom and kinship formations.

With the prominence of one-name couples (Brangelina, Kimye) and famous families (the Smiths, the Beckhams), it is becoming increasingly clear that celebrity is no longer an individual pursuit-if it ever was. Accordingly, First Comes Love explores celebrity kinship and the phenomenon of the power couple: those relationships where two stars come together and where their individual identities as celebrities become inseparable from their status as a famous twosome. Taken together, the chapters in this volume interrogate the ways these alliances are bound up in wider cultural debates about marriage, love, intimacy, family, parenthood, sexuality, and gender, in their particular historical contexts, from the 1920s to the present day. Interdisciplinary in scope, First Comes Love seeks to establish how celebrity relationships play particular roles in dramatizing, disrupting, and reconciling often-contradictory ideas about coupledom and kinship formations.

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VerlagBloomsbury Publishing PLC
EinbandKartonierter Einband (Kt)
Erscheinungsjahr2015
Seitenangabe388 S.
AusgabekennzeichenEnglisch
MasseH22.9 cm x B15.2 cm x D2.0 cm 519 g
AutorCobb, Shelley (Hrsg.) / Ewen, Neil (Hrsg.)

Über den Autor Shelley (Hrsg.) Cobb

Shelley Cobb is Professor of Film and Feminist Media Studies at the University of Southampton. Shelley is the author of Adaptation, Authorship and Contemporary Women Filmmakers (2014).Dijana Jelaca is a Lecturer in the Film Department at Brooklyn College, CUNY. Jelaca is the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (2016) and co-author of Film Feminisms: A Global Introduction (2019).Maria San Filippo is Professor in the School of Film, Television, & Media Arts at Emerson College. She most recently authored Provocauteurs and Provocations: Screening Sex in 21st Century Media (2021), and the Queer Film Classics volume Appropriate Behavior (2022).

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