- Introduction
Part I: Reimagining Heritage
2. Mapping Contemporary Art in the Heritage Experience
3. Making Cities: Places, Production, and (Im)material Heritage
4. Gestured by Brass Art: Gestures, Ambiguity, and Material Transformation at Chetham's Library
Part II: Alternative Histories
5. Making the Invisible Visible in Capability Brown's Lost Landscapes
6. A Room of One's Own: Strategies of Feminist Arts Interventions
7. Contemporary Interventions and Conflict: The Possibilities of 'Critical Historical Consciousness' as a Mode of Heritage Production
8. Mapping Contemporary Art in the Heritage Experience: Mary Eleanor Bowes and The Orangery Urns
Part III: Disciplinary Dialogues
9. Expanded Interiors: Bringing Contemporary Site-Specific Fine-Art Practice to Roman Houses at Herculaneum and Pompeii.
10. Practicing History: Art, Archives, and Footnotes
11. Understanding the Audience Experience of Contemporary Visual Arts at Geevor Mine World Heritage Site: A Dialogue between a Contemporary Artist and a Sociologist
Part IV: Liminal Spaces
12. Numinous Experiences in the Home of the Brontes
13. Transactions of an Artist's Placement: Planning Berwick-upon-Tweed with Sander Van Raemdonck
14. Bruce Nauman at York St Mary's: A Hermeneutic Enquiry into 'The Intersection'