Composers of the Nazi Era (eBook)

Eight Portraits
Artikelnummer: 978-0-19-535676-2
Einband: PDF
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How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany.
The accessibility features of this title have not been assessed.; accessibility.queries@oup.com
How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany.
The accessibility features of this title have not been assessed.; accessibility.queries@oup.com
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VerlagOxford University Press
EinbandPDF
Erscheinungsjahr1999
Seitenangabe176 S.
AusgabekennzeichenEnglisch
Masse3'835 KB
PlattformPDF
AutorKater, Michael H.

Über den Autor Michael H. Kater

Michael H. Kater (Zittau, Alemania, 1937) es un reconocido estudioso de la historia alemana del siglo XX. Se graduó en Historia en la Universidad York de Toronto y se doctoró en Historia y Sociología en la Universidad de Heidelberg, casas de estudios donde fue docente. Miembro de la Royal Society de Canadá, sus investigaciones sobre el nacionalsocialismo, y en particular sobre la música y los compositores bajo el régimen, se convirtieron en obras de referencia y le valieron repercusión internacional. Su trabajo -que incluye también indagaciones decisivas sobre antecedentes y consecuencias del Tercer Reich: la Alemania de Weimar y la construcción de la RDA- ha recibido prestigiosos galardones, como la beca Guggenheim en los Estados Unidos y el Premio Konrad Adenauer a la Investigación en Alemania.

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