Collections, Exhibitions and Museums in Portugal and Its Empire

Part I: Artistic and Natural History Collections in the Eighteenth Century: Between Lisbon, Brazil, China and India 1. The Empire in Transition and History Painting from Lisbon to Brazil 2. Travelling and Collecting: Natural History in Brazil During the Enlightenment 3. The Painting Collections of the Dukes of Aveiro in the Eighteenth Century, with a Note on the Acquisitions of an English Gentleman 4. Asian Material Culture in the Estate of Alexandre Metelo de Sousa Meneses, Ambassador of King John V to China and President of the Overseas Council Part II: Exhibiting Identities in the Portuguese Colonial Empire (1860-1999) 5. Exhibitions and Museums in Goa: The Making of Visible Identities (1860-1952) 6. Creating a Portuguese Imperial Identity: Art Exhibitions in the Metropolis and in the African Colonies 7. National Identity, Modernity and Aspirations to Internationalisation in the 1950s: The Portuguese Fine Arts at International Exhibitions 8. Museum-Making in Portuguese Macao: The Creation of the Luís de Camões Museum from Colonial to Post-colonial Times Part III: The Displaying of Art and History in the First Half of the Twentieth Century 9. Museums and the Art Reforms of the First Portuguese Republic (1910-1926) 10. Heroes on Display: The (Re)Construction and Exhibition of the Tomb of the Legendary Hero Egas Moniz in Early Twentieth-Century Portugal 11. Anti-semite and Anti-modern Fractures in the Portugal of Salazar: The Case of Portrait Painter and Museum Director Eduardo Malta (1933-1965) 12. "Worthy of Enabling and Support." the Exhibitions of the Lisbon Buchholz Bookshop and Their Critical Reception in the Context of the Second World War