Art and Artifice in Visual Culture (eBook)

Eighteenth Century to the Present
Artikelnummer: 978-1-040-27303-6
Einband: PDF
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Part 1 Artifice and Spectatorship 1. Fractured Perception: Drawings, Prints, and Verres Casses 2. Rococo Aesthetics and the Problem of Trompe l'Oeil 3. Degas's "Histories" and the Foreshadowing Artifice of Self-Candaulism Part 2 Haptic Illusions 4. Suggestive Surfaces: The Self-Referential Texture of Woodgrain in Japanese Woodblock Prints 5. Reconsidering the Origins of Yongzheng Guwantu: From the Aniconic Period to Vimalakirtinirdesa Sutra 6. Fooling Art History: John F. Peto and William Harnett Part 3 Alternative Realities 7. First Nations' Wampum Belts: A Colonial Vision of Artifice in Eighteenth-Century New France 8. "An Opportunity to Grapple with the Picture Plane...": The Stereo-Illusion's History of Frustration 9. Self-Reference and Medium-Reference in Virtual Reality and Trompe l'Oeil

Part 1 Artifice and Spectatorship 1. Fractured Perception: Drawings, Prints, and Verres Casses 2. Rococo Aesthetics and the Problem of Trompe l'Oeil 3. Degas's "Histories" and the Foreshadowing Artifice of Self-Candaulism Part 2 Haptic Illusions 4. Suggestive Surfaces: The Self-Referential Texture of Woodgrain in Japanese Woodblock Prints 5. Reconsidering the Origins of Yongzheng Guwantu: From the Aniconic Period to Vimalakirtinirdesa Sutra 6. Fooling Art History: John F. Peto and William Harnett Part 3 Alternative Realities 7. First Nations' Wampum Belts: A Colonial Vision of Artifice in Eighteenth-Century New France 8. "An Opportunity to Grapple with the Picture Plane...": The Stereo-Illusion's History of Frustration 9. Self-Reference and Medium-Reference in Virtual Reality and Trompe l'Oeil

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VerlagTaylor & Francis Ebooks
EinbandPDF
Erscheinungsjahr2025
Seitenangabe210 S.
AusgabekennzeichenEnglisch
Abbildungen36 schwarz-weiße und 20 farbige Abbildungen, 36 schwarz-weiße und 18 farbige Fotos, 2 farbige Zeichn.
Auflage25001 A. 1. Auflage
PlattformPDF
AutorComan, Sonia (Hrsg.) / Prejmerean, Vasile-Ovidiu (Hrsg.) / Yonan, Michael (Hrsg.)

Über den Autor Sonia (Hrsg.) Coman

Sonia Coman, Ph.D. is a Contributor and Consultant at Smarthistory and Director of Digital Engagement at Washington National Cathedral.Vasile-Ovidiu Prejmerean is a Ph.D. Candidate at Université de Fribourg, Switzerland.Michael Yonan is a Professor of Art History and Alan Templeton Endowed Chair in the History of European Art, 1600-1830, at the University of California, Davis.

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